Between Сrypto Art and Copyright: NFT Tokens as Tools for Confirming the Authenticity of Art Objects

Abstract

The symbiosis of blockchain technology with human creativity has given rise to what we now call crypto art, marking a new frontier in digital artistic expression. This development has profoundly altered our understanding of digital artifacts and ownership in this domain. Once easily accessible to all, digital art poses a unique challenge in the realm of collecting: how does one collect something that can be effortlessly replicated and shared? This paper explores the role of non-fungible tokens (NFTs) as authentication mechanisms and proof of authorship for digital artworks. Initially designed for decentralized financial transactions, blockchain technology has become instrumental in validating authorship and enabling the monetization of digital artworks through NFTs. Although digital artists now benefit from the validation of their work as legitimate investment assets through NFT technology, challenges persist due to the absence of copyright verification during token creation. For example, many artists have discovered their creations being used by third parties to mint tokens without their consent. The study demonstrates the transformative impact of NFTs on the digital art landscape while addressing the ongoing challenges and the imperative for enhanced copyright protection mechanisms.

Author Biographies

Anna A. Kartasheva, HSE University, Moscow, Russia

Anna A. Kartasheva is a Research Fellow at the International Laboratory for Applied Network Research (ANR-Lab), HSE University, Moscow, Russia. Her principal research interests include affective polarization and verbalization of emotions in the intellectual history and the philosophical foundations in the history of copyright, user interface design and actor-network theory, algorithms and algorithmic bias. Her most significant publications include: Verbalization of emotions in the cognitive theory of metaphor: An ontological and epistemological aspects (2021); Filosofskie osnovaniya avtorskogo prava [The philosophical foundations of copyright] (2003).

Marya A. Trubina, ITMO University, St. Petersburg, Russia

Marya A. Trubina is a graduate student at the Faculty of Software Engineering and Computer Systems, ITMO University, St. Petersburg, Russia. Her principal research interests include the history of crypto art and digital art, photography, multidisciplinary approaches to user interface design, and the psychology of human-machine interaction.

References

Published
2024-07-19
How to Cite
Kartasheva, A., & Trubina, M. (2024). Between Сrypto Art and Copyright: NFT Tokens as Tools for Confirming the Authenticity of Art Objects. Changing Societies & Personalities, 8(2), 508–525. doi:10.15826/csp.2024.8.2.285