Symbols of Defiance: A Semiotic and Ethnolinguistic Analysis of the Jolly Roger in One Piece
Abstract
These past years have witnessed an increasing usage of symbols from imaginative entertainment in actual sociopolitical discourse. A good example is the Jolly Roger flag belonging to the One Piece franchise, which is frequently appropriated by Indonesian audiences across online and offline contexts. The current study adopts a qualitative multilayered semiotic-ethnolinguistic analysis to explore the sociocultural signification of the Jolly Roger flag in Indonesian contexts. Using the signification concept developed by Peirce and the associated modules of denotation, connotation, and myth developed by Barthes, the study investigates the representation of the flag both as a device used in the animation and as a transformed sign shaped by ethnolinguistic and sociopolitical interpretation. The study draws on data from 120 texts spread across different social networks, namely Instagram,* TikTok, YouTube, and X, and 15 photographic documentations of the flag’s offline public presence. The results show how the Jolly Roger is a complex symbol negotiating identity formation, social critique, and different levels of symbolic defiance. Audience reception indicates a co-mix of playfulness, fan practices, and local sociopolitical readings, thus supporting the understanding that symbolic defiance is always culturally mediated and context-dependent. This research adds to existing debates on the re-interpretation of transnational media symbols using qualitative approaches in semiotic research, ethnolinguistics, and sociopolitics, showing how evocative transnational media symbols can achieve ideological functions in a determined cultural context.
* Instagram™ is a trademark of Instagram Inc., registered in the U.S. and other countries. По решению Роскомнадзора, социальная сеть Instagram полностью заблокирована в России как экстремистская организация.
References
- Alghony, A. B. (2023). Icons in one piece film as a representation of Indonesian politics. Jurnal Disastri, 5(1), 77–86. https://doi.org/10.33752/disastri.v5i1.3815
- Barthes, R. (1972). Mythologies (A. Lavers, Trans.). Hill and Wang. (Originally published in French 1957)
- Barthes, R. (1977). Elements of semiology. Farrar, Straus and Giroux. (Originally published in French 1964)
- Bendera dan Kaus One Piece pada Aksi Unjuk Rasa [One Piece Flags and T-shirts at Protests]. (2025, August 30). Tempo. https://www.tempo.co/foto/arsip/bendera-dan-kaus-one-piece-pada-aksi-unjuk-rasa--2064816
- Cahyani, D. R. (2025, August 9). Top 5 most-watched anime of all time, from One Piece to Demon Slayer. Tempo. https://en.tempo.co/read/2037668/top-5-most-watched-anime-of-all-time-from-one-piece-to-demon-slayer
- Castells, M. (2015). Networks of outrage and hope: Social movements in the Internet age (2nd ed.). John Wiley & Sons.
- Chandler, D. (2022). Semiotics: The basics (4th ed.). Routledge. https://doi.org/10.4324/9781003155744
- della Porta, D. (2014). Mobilizing for democracy: Comparing 1989 and 2011. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199689323.001.0001
- Ehala, M. (2015). Ethnolinguistic vitality. In K. Tracy, T. Sandel, & C. Ilie (Eds.), The international encyclopedia of language and social interaction. https://doi.org/10.1002/9781118611463.wbielsi046
- Firstiyanti, A. H., Sentana, A., & Wulandari, R. (2025). Semiotic analysis of Moon Knight Episode 5: Asylum using Peirce’s theory of sign. Journal of Language and Literature, 13(1), 78–93. https://doi.org/10.35760/jll.2025.v13i1.14414
- Hatami, W. (2018). Popular culture of Japanese anime in the digital age and the impact on nationalism of young Indonesian citizens. Journal of Social Studies,14(1), 37–47. https://doi.org/10.21831/jss.v14i1.21652
- Heryanto, A. (Ed.). (2008). Popular culture in Indonesia: Fluid identities in post-authoritarian politics. Routledge.
- Heryanto, A. (2014). Identity and pleasure: The politics of Indonesian screen culture. NUS Press.
- Huppatz, D. J. (2011). Roland Barthes, Mythologies. Design and Culture, 3(1), 85–100. https://doi.org/10.2752/175470810X12863771378833
- Indonesians raise anime pirate flag in protest as nation marks independence. (2025, August 16). Al Jazeera. https://www.aljazeera.com/news/2025/8/16/indonesians-raise-anime-pirate-flag-in-protest-as-nation-marks-independence
- Iqbal, M., Syamsuri, S., Atmaja, T. S., Bistari, B., & Purnama, S. (2025). Penguatan Nilai-Nilai Karakter Nasionalisme Remaja Melalui Tokoh Bajak Laut Topi Jerami dalam Anime One Piece [Strengthening the values of nationalistic character in teenagers through the character of the straw hat pirates in the anime One Piece]. Journal on Education, 7(2), 10392–10399. https://doi.org/10.31004/joe.v7i2.8028
- Ito, R., & Bisila, M. (2020). Blond hair, blue eyes, and “bad” Japanese: Representing foreigner stereotypes in Japanese anime. Language Awareness, 29(3–4), 286–303. https://doi.org/10.1080/09658416.2020.1786578
- Iwabuchi, K. (2002). “Soft” nationalism and narcissism: Japanese popular culture goes global. Asian Studies Review, 26(4), 447–469. https://doi.org/10.1111/1467-8403.00138
- Kharismawati, M., & Wahidati, L. (2023). Nakama: Reception on the audience of One Piece anime by Eiichiro Oda. ProTVF, 7(2), 218–233. https://doi.org/10.24198/ptvf.v7i2.41676
- Kilstrup, M. (2015). Naturalizing semiotics: The triadic sign of Charles Sanders Peirce as a systems property. Progress in Biophysics and Molecular Biology, 119(3), 563–575. https://doi.org/10.1016/j.pbiomolbio.2015.08.013
- kontras_update [@kontras_update]. (2025, August 14). Menteri Kebudayaan Fadli Zon menjanjikan proyek penulisan “sejarah resmi” selesai pada 10 November 2025, bersamaan dengan Hari Pahlawan Nasional [Culture Minister Fadli Zon promised that the “official history” writing project would be completed by November 10, 2025, coinciding with National Heroes’ Day] [Photographs]. Instagram. [Instagram™ is a trademark of Instagram Inc., registered in the U.S. and other countries. По решению Роскомнадзора, социальная сеть Instagram полностью заблокирована в России как экстремистская организация.] https://www.instagram.com/p/DNVQo5exbX0/?utm_source=ig_web_button_share_sheet
- Kopper, A. (2020). Pirates, justice and global order in the anime “One Piece.” Global Affairs, 6(4–5), 503–517. https://doi.org/10.1080/23340460.2020.1797521
- Leone, M. (2021). The semiotics of flags. In A. Wagner & S. Marusek (Eds.), Flags, color, and the legal narrative (pp. 53–63). Springer. https://doi.org/10.1007/978-3-030-32865-8_3
- Liang, Z. (2025). Japanese anime: A global cultural symbol: Decoding the pop culture cipher and semiotic significance. Frontiers in Humanities and Social Sciences, 5(6), 91–97. https://doi.org/10.54691/qtemsv41
- Lu, A. S. (2009). What race do they represent and does mine have anything to do with it? Perceived racial categories of anime characters. Animation, 4(2), 169–190. https://doi.org/10.1177/1746847709104647
- MacWilliams, M. W. (2008). Japanese visual culture: Explorations in the world of manga and anime. Routledge. https://doi.org/10.4324/9781315703152
- Mahalingam, M., & Daniel, L. P. (2024). Unlocking meaning: Visual semiotic analysis in animation. ShodhKosh: Journal of Visual and Performing Arts, 5(6), 2435–2449. https://doi.org/10.29121/shodhkosh.v5.i6.2024.5561
- Makarim, M. G., Rahayu, H., & Mardi, M. (2023). Roland Barthes’ semiotic analysis of the meaning of haram in the Quran. QiST: Journal of Quran and Tafseer Studies, 2(3), 331–346. https://doi.org/10.23917/qist.v2i3.2574
- Mathews, S. J. (2016). Study of manga, animation and anime as an art form. International Journal on Recent and Innovation Trends in Computing and Communication, 4(6), 494–497. https://doi.org/10.17762/ijritcc.v4i6.2352
- Mohd Khalis, F., Ibrahim, S., Subri, S., Adnan, N. A., & Ismail, A. K. (2024). Japanese and western influences on the local animation character design identity in Malaysia. Journal of Visual Art and Design, 15(2), 153–164. https://doi.org/10.5614/j.vad.2023.15.2.5
- Muzaffar, M. (2025, August 10). Why pirate flags are taking over Indonesia as country celebrates 80 years of independence. The Independent. https://www.independent.co.uk/asia/southeast-asia/indonesia-one-piece-skull-flag-independence-day-protests-b2804243.html
- Oehler, K. (1987). An outline of Peirce’s semiotics. In M. Krampen, K. Oehler, R. Posner, T. A. Sebeok, & T. von Uexküll (Eds.), Classics of semiotics (pp. 1–21). Springer. https://doi.org/10.1007/978-1-4757-9700-8_1
- Peirce, C. S. (1931–1935). The collected papers (Vols 1–6; C. Hartshorne & P. Weiss, Eds.). Harvard University Press.
- Pennycook, A. (2010). Language as a local practice. Routledge. https://doi.org/10.4324/9780203846223
- Potter, N. N. (2012). Mad, bad, or virtuous? The moral, cultural, and pathologizing features of defiance. Theory & Psychology, 22(1), 23–45. https://doi.org/10.1177/0959354310385746
- Ranyard, J. R. (2021). Implications of the worldwide appeal of Japanese anime: Softening the ground for a relationship with the other. Psychological Perspectives, 64(3), 383–396. https://doi.org/10.1080/00332925.2021.1996145
- Riley, P. (2007). Language, culture and identity: An ethnolinguistic perspective. Continuum.
- Scott, J. C. (1985). Weapons of the weak: Everyday forms of peasant resistance. Yale University Press. [Yale University is recognized as an organization whose activities are undesirable in the Russian Federation. Йельский университет является организацией, деятельность которой признана нежелательной на территории Российской Федерации.]
- Spencer, S. (2024, September 12). One Piece: From ‘niche within a niche’ to global phenomenon. BBC News. https://www.bbc.com/news/articles/c1k39g94l9ro
- Triwiyoso. (2024). Representation of social criticism through Morgans journalist characters in One Piece anime: Examining the meanings behind and propaganda. LONTAR: Jurnal Ilmu Komunikasi, 12(2), 334–341. https://doi.org/10.30656/lontar.v12.i2.9302
- Tufekci, Z. (2017). Twitter and tear gas: The power and fragility of networked protest. Yale University Press. [Yale University is recognized as an organization whose activities are undesirable in the Russian Federation. Йельский университет является организацией, деятельность которой признана нежелательной на территории Российской Федерации.]
- Yasim, M. N. R. (2022). Otaku Dadakan: Studi Kasus Penggemar Anime One Piece di Kalangan Mahasiswa [Impromptu Otaku: Case study of One Piece anime fans among students]. Emik, 5(1), 84–100. https://doi.org/10.46918/emik.v5i1.1216
- Yuliani, R., Mulyadi, R., & Adji, M. (2021). Japanese soft power in Indonesia on anime entitled Ufo Baby: Study of popular culture. IZUMI, 10(2), 328–337. https://doi.org/10.14710/izumi.10.2.328-337
- Yunus, R. N., & Aswar, L. (2024). Semiotic study of the animation film Mother’s Power: Representative of women’s power. International Journal of Multilingual Education and Applied Linguistics, 1(4), 67–79. https://doi.org/10.61132/ijmeal.v1i4.157
- Yusup, R. M., Sutanto, M. R., Lewerissa, E. D., & Nangoi, J. P. (2025). Pemaknaan Representasi Laut dalam Anime Shiroi Suna no Akuatōpu [The meaning of the representation of the sea in the anime Shiroi Suna no Akuatōpu]. IZUMI, 14(1), 99–110. https://doi.org/10.14710/izumi.14.1.99-110
- Zafira, C. U., Setiawati, R., Zahrani, R. F., Paramita, A. G., Hendriyan, A. P., Farida, R. T., Abdurrahman, H., & Lestari, H. R. (2024). The influence of anime on Gen Z’s behavior and social interactions. Journal of Social Interactions and Humanities, 3(2), 131–144. https://doi.org/10.55927/jsih.v3i2.9600

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.







